Currently set to Index
Currently set to Follow

Stilted Low Lighthouse, A Photography Location Close To Home

Stilted Low Lighthouse, A Photography Location Close To Home

Sedgemoor Somerset is the area I grew up in and explored while learning Photography and somewhere that provides some amazing Photography locations.
During my late teens through to my early 30’s, I lived along the seafront in Burnham On Sea with some fabulous views across the beach and the Bristol Channel.
This provided me with opportunities to watch the light and grab my cameras when it looked promising and go out to capture whatever revealed itself.
Probably the most famous landmark in the area is the Grade II listed stilted wooden lighthouse which sits gracefully 36ft elevated on the beach.

 

 

Burnham-stilted-lighthouse-photography-location-somerset

Evening Light Over Afon Teifi

Evening Light Over Afon Teifi

This week my diary looked a little quieter than the hectic previous 6 weeks or so but that soon changed within one brief phone call.
I was asked by a client if I could travel to West Wales for a couple of days to shoot two urgent jobs that needed completing ASAP.

This work was shooting two amazing holiday properties one on each day hence my overnight stay.

Pembrokeshire in West Wales is approximately 160 miles from my base in South Somerset and not an area I have visited since I was a teenager riding my Vespa Scooter.
I knew or remembered little about the area except it was a beautiful part of the world and a great photography location that I would have plenty of time between shoots to explore and capture some images.

After my first shoot was completed, I decided to explore the coast and take a few snaps of my discoveries and generally just chill and even have a paddle in the surprisingly warm Irish sea!
It’s always frustrating to discover an amazing scene in the middle of the day and know that 6 hours earlier or later the light would potentially be so much nicer.
So it was nice to explore a location knowing I was stopping locally and could return in a better light if something caught my eye.

It was a location in Cardigan where my hotel was located that I decided to shoot later that evening.
Cardigan a historic and picturesque town has a wonderful Grade II listed bridge over the river Afon Teifi that is difficult to ignore.

After a brief recee and chat with the locals I found what I thought would be a good viewpoint to capture the evening light that was to backlight and give great shape to the bridge.

I’ve mentioned before that I prefer the more compressed perspective of slightly longer lenses rather than using wide angled lenses.

In this image to get the width needed to show the scene with the perspective, I wanted from my 70mm lens I captured 9 final frames to build up both image width and height.
Actually it was 27 frames as I captured 3 bridged exposures to create an HDR that I blended to capture the wide dynamic range in the scene.
This has the added benefit of creating a super-resolution image not that I particularly needed that.
You can see a video sample of this on my retouching page.

 

 

Evening-by-afon-teifi-

 

 

Storm Over Sourton

There are certain days while out driving the car that I know I’m going to get sidetracked by a view or a subject I just simply can’t pass up.

It was while on location last week that the weather turned rather stormy just as I was travelling through a  rather impressive landscape in Devon.

I had completed one assignment and travelling to another when I noticed heavy rain approaching this valley. Fortunately, I had time to spare (not that that would have probably stopped me) so I quickly found a spot to pull in and grab my camera from the boot of the car.

I can work very quickly when needed and I quickly composed and captured several variations before losing the drama.

 

Storm-over-sourton

Storm-over-sourton

Surrounded By Blue, The Harsh Beauty Of Midday Light

Surrounded By Blue, The Harsh Beauty Of Midday Light

I recently rediscovered this image in my archive and decided to give it some TLC and publish it here.
It was taken near Gaios, on the island of Paxos while on a boat tour in the summer of 2006
I would not state this image as a particularly amazing piece of creative travel photography in fact the image was simply a grab shot
to look back upon and enjoy as a memory of our trip.

Never Shoot In The Midday Sun.

If you critiqued this image you probably say the lighting here is a little bland (it’s overhead) and pretty harsh in contrast (it’s a fairly cloudless summer sky) and certainly not the time of day that most photographers including myself would choose to produce creative travel photography.

However, I’ve always said there is no such thing as bad light it just depends on your personal style or what you decide works for a particular image or a clients brief.
On the plus side, in this image, that same bland hard light gives some amazing punch to those blues which for me are a strong signature of Greece along with incredible mountains and historic sites of interest.

Once again we see that rules (or guidelines) are often there to be broken and even encouraged for creativity especially when it comes to photography.

If you want to see some wonderful images by a master photographer who is often known for their use of razor-sharp light and contrast I’d recommend checking out Albert Watson’s work especially the images in his wonderful book Cyclops.

 

 

White Greek Chapel Surrounded By Blue Sea, Paxos Greece

Life In A Somerset Landscape Photography Project

Life In A Somerset Landscape Photography Project

A Somerset Photography project started back in 2012.

I started Life in a Somerset Landscape as a personal project with the aim to capture various people and wildlife in the Somerset landscape.

The images are inspired by the county I grew up in and in which I learnt my craft starting back in the late 1980s

I’ve always been drawn and somewhat intrigued by the history of the land and the people who work it and wildlife that lives there so the project simply evolved from that.

The images are approached by me either simply documenting what I discover while others are created to produce a vision I have for that particular location or person within it.
The project is ongoing as I have time to pick it up and continue.

View project Life in a Somerset Landscape

Do you know of someone or somewhere in Somerset that you feel should be included? Please email me and let me know. simon@simonplant.co.uk

Mud-horse-fisherman-hinkley-point-lifestyle-photography

Mud-horse-fisherman-Hinkley point

Swan Taking Off Over Somerset River

Swan Flying Over Somerset River

Banjo-player-maize-field

Banjo player maize field

 

 

Location Photographer. A Passion For Colour

Location Photographer. A Passion For Colour

I started out like many photographers of a certain age shooting, developing and printing Black & White Images.
Even though I can fully appreciate the beauty of monochrome my real passion has always been for colour work inspired by many
of my favourite 80’s advertising location photographer heroes like John Claridge, Duncan Sim and Peter Lavery (google em kids).
So this is a rare occasion when I decided the subject worked far better in B&W.

Location-in-photography-tree-in-plighted-field-somerset

Video Production In Somerset, Somerset Uncovered At Burrow Hill

Video Production In Somerset, Somerset Uncovered At Burrow Hill

Burrow Hill is a location I know very well and I’ve photographed here many times including from the air.
On this occasion, I wanted to revisit for my video project Somerset Uncovered.

We have recently had a spell of very settled warm weather but clear blue skies are not what was required for this shoot.
A few days ago my careful watch on the weather forecast promised another hot day but with cloud moving in later in the evening which sounded perfect for the shoot.
I already knew where the sun would be positioned for my composition so it was just a case of planning my timings.

One of the things I dislike about Time-lapse is that some objects like too much foreground foliage can move rather quickly.
This can not only be distracting but also ruin the tranquillity and graceful pace of the skies and light that sometimes dances across the landscape.
Therefore careful composition to avoid these elements or clever post-production is required.

Unlike shooting stills and retouching in Photoshop this can be a lot trickier when working with moving elements but I do love a challenge!

Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from Youtube
Vimeo
Consent to display content from Vimeo
Google Maps
Consent to display content from Google