Evening Light Over Afon Teifi
This week my diary looked a little quieter than the hectic previous 6 weeks or so but that soon changed within one brief phone call.
I was asked by a client if I could travel to West Wales for a couple of days to shoot two urgent jobs that needed completing ASAP.
Surrounded By Blue, The Harsh Beauty Of Midday Light
I recently rediscovered this image in my archive and decided to give it some TLC and publish it here.
It was taken near Gaios, on the island of Paxos while on a boat tour in the summer of 2006
I would not state this image as a particularly amazing piece of creative travel photography in fact the image was simply a grab shot
to look back upon and enjoy as a memory of our trip.
Never Shoot In The Midday Sun.
If you critiqued this image you probably say the lighting here is a little bland (it’s overhead) and pretty harsh in contrast (it’s a fairly cloudless summer sky) and certainly not the time of day that most photographers including myself would choose to produce creative travel photography.
However, I’ve always said there is no such thing as bad light it just depends on your personal style or what you decide works for a particular image or a clients brief.
On the plus side, in this image, that same bland hard light gives some amazing punch to those blues which for me are a strong signature of Greece along with incredible mountains and historic sites of interest.
Once again we see that rules (or guidelines) are often there to be broken and even encouraged for creativity especially when it comes to photography.
If you want to see some wonderful images by a master photographer who is often known for their use of razor-sharp light and contrast I’d recommend checking out Albert Watson’s work especially the images in his wonderful book Cyclops.
Life In A Somerset Landscape Photography Project
A Somerset Photography project started back in 2012.
I started Life in a Somerset Landscape as a personal project with the aim to capture various people and wildlife in the Somerset landscape.
The images are inspired by the county I grew up in and in which I learnt my craft starting back in the late 1980s
I’ve always been drawn and somewhat intrigued by the history of the land and the people who work it and wildlife that lives there so the project simply evolved from that.
The images are approached by me either simply documenting what I discover while others are created to produce a vision I have for that particular location or person within it.
The project is ongoing as I have time to pick it up and continue.
View project Life in a Somerset Landscape
Do you know of someone or somewhere in Somerset that you feel should be included? Please email me and let me know. [email protected]
Location Photographer. A Passion For Colour
I started out like many photographers of a certain age shooting, developing and printing Black & White Images.
Even though I can fully appreciate the beauty of monochrome my real passion has always been for colour work inspired by many
of my favourite 80’s advertising location photographer heroes like John Claridge, Duncan Sim and Peter Lavery (google em kids).
So this is a rare occasion when I decided the subject worked far better in B&W.
iPhone Wanderings In Majorca
I came across this beautiful photography location during a day riding a Vespa around the Majorcan countryside.
I confess to often being slightly disappointed when I discover such great locations in the middle of the day as in most cases the light would almost definitely be more interesting earlier or later.
Video Production In Somerset, Somerset Uncovered At Burrow Hill
Burrow Hill is a location I know very well and I’ve photographed here many times including from the air.
On this occasion, I wanted to revisit for my video project Somerset Uncovered.
We have recently had a spell of very settled warm weather but clear blue skies are not what was required for this shoot.
A few days ago my careful watch on the weather forecast promised another hot day but with cloud moving in later in the evening which sounded perfect for the shoot.
I already knew where the sun would be positioned for my composition so it was just a case of planning my timings.
One of the things I dislike about Time-lapse is that some objects like too much foreground foliage can move rather quickly.
This can not only be distracting but also ruin the tranquillity and graceful pace of the skies and light that sometimes dances across the landscape.
Therefore careful composition to avoid these elements or clever post-production is required.
Unlike shooting stills and retouching in Photoshop this can be a lot trickier when working with moving elements but I do love a challenge!